BASEMENT OF THE DEAD
AMERICA’S SCARIEST HAUNTED HOUSE
In my nearly seven years as the creative director, I directed and trained a cast of 90+ live performers and actors, developed the brand identity as America’s Scariest Haunted House, produced videos to be used as set pieces or marketing, designed soundscapes, shot all photos for marketing and social media, and designed posters, flyers, banners, billboards, and website assets.
My vision and skillsets have helped the House earn multiple awards and titles coveted in the industry including Hauntworld Magazine's 2016 Best Haunted House Cast/Crew, Haunted House Chicago’s Best Haunted House 2016, and Buzzfeed’s #1 Haunted House in the World.
Basement of the Dead (BOTD) features several holiday productions all year round: Halloween, A Very Scary AXE-MAS, Valentines Day in Wonderland, and LeprecHaunted House.
Overall Brand
Basement of the Dead was already a locally established brand when I started. When I became their art director, I wanted to set a “foundation” for developing a globally recognizable brand. I started with a simple style guide.
Located in the heart of Downtown Aurora in the basement of a building that has been around since 1883, I leaned into the industrial legacy of the building. I imagined the building being the featured setting for a long lost grindhouse slasher film of the 70’s. Mysterious, bricked up tunnels and steel girders framed a space that echoed legends of a boiler room explosion and Prohibition mobsters.
While other companies started to streamline their brands, I went the other direction and established a “concrete + rust + neon” textural motif. I also selected colors of a worn-out American flag for the color palette. I chose Google fonts for accessibility: Antonio was selected to reflect the horror film posters of the 1970’s while Cinzel was selected to match the chiseled letters from stone masonry of the Aurora National Bank just down the street. Finally, I edited the original “slanted & stacked” logo to an alternate horizontal format for proportion and balance in some unique cases.
Botd: halloween
Halloween Trailer 2019
I shot the first half of the trailer with the talented cast under controlled lighting and conditions. I shot the second half guerilla style during a live show in order to demonstrate the raw intensity of America's Scariest Haunted House. The final shot features me in costume and makeup as Sugar Daddy.
I selected the music, cut the footage, and I also animated the typography and logos in the trailer.
Shot with:
Sony A7III + Canon FD 50 1.2
GoPro Hero 5
Graphic Design
The following gallery is by no means a comprehensive body of work. Instead, it is simply a selection of examples of the content that I created.
I aimed to elevate Basement’s prestige as a top haunted attraction, so in 2017, I designed Basement’s set of accolade wreaths. By 2018, other haunted attractions started using wreaths.
Botd: a Very scary axe-mas
Axe-mas Trailer 2019
I selected the music, cut the footage, and I also animated the typography and logos in the trailer.
Shot with:
Sony A7III + Canon FD 50 1.2
GoPro Hero 5
Graphic Design
Again, the following gallery is by no means a comprehensive body of work. Instead, it is simply a selection of examples of the content that I created.
For this event, instead of the wreaths, I designed fractal snowflakes with slasher weapons, skulls, and coffins.
Botd: Valentine’s day in wonderland
Wonderland Trailer 2020
Valentine’s Day in Wonderland was designed to be a grim fairytale nightmare suited for couples looking for the ultimate date night. Featuring the Queen of Hearts, Wonderland reimagines many of the Basement’s pantheon of monsters as the characters of Lewis Carroll’s classic story. For example, Shattered Sugar Daddy became the Mad/Dad Hatter. This event also featured Kyle Vest of Skin Wars as the Cheshire Cat.
This is footage I had prepared in 2020 to market Valentine's Day in Wonderland 2021, but "things came up" that year. However, I am really proud of this footage. No music was purchased because the event did not happen and was not marketed.
I shot most of this footage in a single room on location during the event with three video lights. Footage of Sugar Daddy was shot with the help of a cast member under my direction. I also edited the footage.
Shot with:
Sony A7III + Sony GM 24mm 1.4